TRADITIONES, 43-2-2, 2014
Objavil stanka, dne Fri, 20/06/2014 - 12:44.
DOI: 10.3986/Traditio2014430202
)Naslov/Title The world’s greatest sound archive. 78 rpm records as a source for musicological research/Največji zvočni arhiv na svetu. Plošče z 78 o/min kot vir za muzikološke raziskave
Avtor/Author Pekka Gronow
Izvleček
V obdobju gramofonskih plošč z 78 obrati na minuto, približno v letih 1900–1955, je nastalo vsaj pol milijona različnih posnetkov iz večino dežel sveta. Članek obravnava rast te industrije, izbiro izvajalcev in njihov repertoar, arhiviranje zgodovinskih posnetkov ter njihov pomen za muzikološka raziskovanja. Mnogi posnetki so verjetno za vedno izgubljeni, ohranjeni primeri pa so razpršeni v številnih zasebnih in javnih arhivih; upamo lahko, da bodo spletni katalogi v prihodnosti omogočili večji dostop do tega gradiva.
Abstract
During the era of 78 rpm shellac records, circa 1900 to 1955, at least half a million different records were produced in most countries of the world. This paper discusses the growth of the industry, the selection of artists and repertoire, the archiving of historical recordings, and their significance for musicological research. Many recordings are probably permanently lost and surviving examples are scattered across many private and public archives, but online catalogues will hopefully make this material more accessible in the future.
Ključne besede: glasbena industrija, zvočni arhivi, muzikologija, dostop, spletni katalogi.
Keywords: record industry, music archives, musicology, access, online catalogues.
Viri/References
Alamango, Andrew. 2011. Maltese music: the Odeon recordings. In: Pekka Gronow and Christiane Hofer (eds.), The Lindström project. Contributions to the history of the record industry. Beiträge zur Geschichte der Schallplattenindustrie. Vol. 3. Wien: Gesellschaft für historische Tonträger, 56–59.Bauer, Roberto. 1936. Historical records, 1898 – 1909. Milan.
Brady, Erika. 1999. A spiral way: How the phonograph changed ethnography. Jackson: University Press of Mississippi.
Clarke, Eric and Nicholas Cook (eds.). 2004. Empirical Musicology: Aims, Methods, Prospects. New York: Oxford University Press.
Cohen, Ann and Norm Cohen. 1977. Folk and hillbilly music: further thoughts on their relationship. JEMF Quarterly 8 (46).
Dahl, Per. 2006. Jeg elsker Dig! Lytterens argument. Grammofoninnspillinger av Edvard Griegs opus 5 nr. 3. Dissertation, Universitetet i Stavanger.
Danielou, Alan. 1952. A catalogue of recorded classical and traditional Indian music. Paris: Unesco.
Day, Timothy. 2000. A century of recorded music. Listening to musical history. New York and London: Yale University Press.
Dimov, Ventcislav. 2005. Kam izsledvane na zapisanata muzika v Balgarya ot parvata polovin ana XX vek: arhivi i kolektsii. Balgarsko muzikoznanie 1: 144–172.
Dismarc ... s.a. Dismarc Metastore – Discovering Music Archives. http://www.dismarc.org/info/ (accessed 24 February 2014).
EDVR. s.a. Encyclopedic Discography of Victor Records. http://victor.library.ucsb.edu (accessed 24 February 2014).
Englund, Björn and Pekka Gronow. 2011. The record market in the Nordic countries, 1899 – 1925. In: Pekka Gronow and Christiane Hofer (eds.), The Lindström project. Contributions to the history of the record industry. Beiträge zur Geschichte der Schallplattenindustrie. Vol. 3. Wien: Gesellschaft für historische Tonträger, 172–193.
Gössel, Gabriel. 2006. Fonogram 2. Výlety k počátkům historie záznamu zvuku. Praha: Radioservis.
Greene, Victor. 1992. A passion for polka: Old-time ethnic music in America. Berkeley: University of California Press.
Gronow, Pekka. 1981. The record industry comes to the Orient. Ethnomusicology 25 (1): 251–283.
Gronow, Pekka. 1982. Ethnic recordings: an introduction. In: Richard Spottswood et al. (eds.), Ethnic records in America. Washington D. C.: Library of Congress, 1–49.
Gronow, Pekka. 1983. The record industry: the growth of a mass medium. Popular Music 3: 53–59.
Gronow, Pekka and Björn Englund. 2007. Inventing recorded music: the recorded repertoire in Scandinavia. Popular music 26 (2): 281–304.
Gronow, Pekka and Ilpo Saunio. 1998. An international history of the recording industry. London and New York: Cassell.
Herbst, Edward. 2012. Gamelan Gong Kebyar: Music from Belaluan, Pangkung, Busungbiu. Lindström in Bali 1928. In: Pekka Gronow and Christiane Hofer (eds.), The Lindström project. Contributions to the history of the record industry. Beiträge zur Geschichte der Schallplattenindustrie. Vol. 4. Wien: Gesellschaft für historische Tonträger, 93–122.
Katz, Mark. 2004. Capturing Soun: How Technology Has Changed Music. Berkeley, Los Angeles and London: University of California Press.
Kelly, Alan. 1995. Gramophone Company Matrix Series, Suffix q, r, s. Recorded by Max Hampe, 1904-1916. MAT107. CD-ROM. Sheffield: published by author.
Kinnear, Michael. 2000. The Gramophone Company’s Indian recordings, 1908 – 1910. Heidelberg (Australia): Bajakhana.
Lerski,Tomasz. 2004. Syrena Record - pierwsza polska wytwórnia fonograficzna - Poland's first recording company - 1904-1939. New York and Warszawa: Karin.
Leydi, Roberto. 1997. I dischi 78rpm di produzione commercial (1900 – 1952) quail fonte di documentazione ethnomusicological. In: Giuliano Macchi et al. (eds.), Musicus Discologus. Musiche e scritti per il 70. anno di Carlo Marinelli. Vibo Valencia: Monteleone, 272–289.
Macartney, Lady Catherine. 1931. An English Lady in Chinese Turkestan. London: Ernest Benn.
Mainspring Press. 2009. Victor Records Sales Statistics. Mainspring Press. http://www.mainspringpress.com/victorsales.html
Martland, Peter. 1992. A business history of the Gramophone Company Ltd, 1897 – 1918. Dissertation, University of Cambridge.
Marton, Gyula and Klára Bajnai. 2008. Elsö Magyar Henglemezgyár – Premier Record. Budapest: Jazz Oktas.
Murrels, Joseph. 1984. Million selling records from the 1900s to the 1980s. An illustrated directory. London: Batsford.
Digital … s.a. Digital library: ephemera. National Library of Finland.
http://www.doria.fi/handle/10024/85119
Pennanen, Risto. 1999. Westernisation and Modernisation in Greek Popular Music. Dissertation. Acta Universitatis Tamperensis 692. Tampere: University of Tampere Press.
Pennanen, Risto. 2007 . Immortalised on Wax: Professional Folk Musicians and Their Gramophone Recordings Made in Sarajevo, 1907 and 1908. In: Božidar Jezernik et al. (eds.), Europe and Its Other – Notes on the Balkans. Ljubljana: Filozofska fakulteta, 107–148.
Perkins, John F. et al. 1976. On Gramophone Company matrix numbers, 1898 to 1921. Record Collector 23 (3–4): 51–90.
Peterson, Richard and David G. Berger. 1975. Cycles in symbol production. The case of popular music. American Sociological Review 40 (2): 158–173.
Sanjek, Russell. 1988. American popular music and its business: the first four hundred years. Vol. III: From 1900 to 1984. New York and Oxford: Oxford University Press.
Sewald, Ronda. 2005. Sounds Recordings and Ethnomusicology. Theoretical Barriers to the Use of Archival Collections. Resound: A Quarterly of the Archives of Traditional Music 24 (1–2) and 24 (3–4).
Sharma, A. N. 2012. Bajanaama. A study of early Indian gramophone records. Mumbai: Katchachitra.
Spottswood, Richard K. 1990. Ethnic music on records: a discography of ethnic recordings produced in the United States, 1893 to 1942. Chicago: University of Illinois Press.
Strötbaum, Hugo. s.a. Recording pioneers. http://www.recordingpioneers.com (accessed 24 February 2014).
Sutton, Allen and Kurt Nauck. 2000. American record labels and companies, an encyclopedia (1891 – 1943). Denver: Mainspring Press.
Vanberg, Vidar. 1982. Norges förste grammofonstjerner og grammofoninnspillinger. Oslo: Eget forlag.
Vanberg, Vidar. 1999. Norsk lydhistorie 1879 – 1935. Oslo: Nasjonalbiblioteket.
Weber, Ernst. 2009. Hab’n S uns scho amol dudl’n g’hört? In: Pekka Gronow and Christiane Hofer (eds.), The Lindström project. Contributions to the history of the record industry. Beiträge zur Geschichte der Schallplattenindustrie. Vol. 2. Wien: Gesellschaft für historische Tonträger, 21–35.
Yampolsky, Philip. 2011. The early record industry in Indonesia, Malaysia and Singapore: the mechanics of an estimate of quality. In: Pekka Gronow and Christiane Hofer (eds.), The Lindström project. Contributions to the history of the record industry. Beiträge zur Geschichte der Schallplattenindustrie. Vol. 3. Wien: Gesellschaft für historische Tonträger, 194–212.
Zheleznyi, A. 1989. Nash drug – gramplastinka. Kiev: Muzychna Ukraiina.
Ziegler, Susanne. 2010. Carl Lindström and the Berlin – Phonogrammarchiv. In: Pekka Gronow and Christiane Hofer (eds.), The Lindström project. Contributions to the history of the record industry. Beiträge zur Geschichte der Schallplattenindustrie. Vol. 2. Wien: Gesellschaft für historische Tonträger, 9–20.
Pennanen, Risto. 1999. Westernisation and Modernisation in Greek Popular Music. Dissertation. Acta Universitatis Tamperensis 692. Tampere: University of Tampere Press.
Pennanen, Risto. 2007 . Immortalised on Wax: Professional Folk Musicians and Their Gramophone Recordings Made in Sarajevo, 1907 and 1908. In: Božidar Jezernik et al. (eds.), Europe and Its Other – Notes on the Balkans. Ljubljana: Filozofska fakulteta, 107–148.
Perkins, John F. et al. 1976. On Gramophone Company matrix numbers, 1898 to 1921. Record Collector 23 (3–4): 51–90.
Peterson, Richard and David G. Berger. 1975. Cycles in symbol production. The case of popular music. American Sociological Review 40 (2): 158–173.
Sanjek, Russell. 1988. American popular music and its business: the first four hundred years. Vol. III: From 1900 to 1984. New York and Oxford: Oxford University Press.
Sewald, Ronda. 2005. Sounds Recordings and Ethnomusicology. Theoretical Barriers to the Use of Archival Collections. Resound: A Quarterly of the Archives of Traditional Music 24 (1–2) and 24 (3–4).
Sharma, A. N. 2012. Bajanaama. A study of early Indian gramophone records. Mumbai: Katchachitra.
Spottswood, Richard K. 1990. Ethnic music on records: a discography of ethnic recordings produced in the United States, 1893 to 1942. Chicago: University of Illinois Press.
Strötbaum, Hugo. s.a. Recording pioneers. http://www.recordingpioneers.com (accessed 24 February 2014).
Sutton, Allen and Kurt Nauck. 2000. American record labels and companies, an encyclopedia (1891 – 1943). Denver: Mainspring Press.
Vanberg, Vidar. 1982. Norges förste grammofonstjerner og grammofoninnspillinger. Oslo: Eget forlag.
Vanberg, Vidar. 1999. Norsk lydhistorie 1879 – 1935. Oslo: Nasjonalbiblioteket.
Weber, Ernst. 2009. Hab’n S uns scho amol dudl’n g’hört? In: Pekka Gronow and Christiane Hofer (eds.), The Lindström project. Contributions to the history of the record industry. Beiträge zur Geschichte der Schallplattenindustrie. Vol. 2. Wien: Gesellschaft für historische Tonträger, 21–35.
Yampolsky, Philip. 2011. The early record industry in Indonesia, Malaysia and Singapore: the mechanics of an estimate of quality. In: Pekka Gronow and Christiane Hofer (eds.), The Lindström project. Contributions to the history of the record industry. Beiträge zur Geschichte der Schallplattenindustrie. Vol. 3. Wien: Gesellschaft für historische Tonträger, 194–212.
Zheleznyi, A. 1989. Nash drug – gramplastinka. Kiev: Muzychna Ukraiina.
Ziegler, Susanne. 2010. Carl Lindström and the Berlin – Phonogrammarchiv. In: Pekka Gronow and Christiane Hofer (eds.), The Lindström project. Contributions to the history of the record industry. Beiträge zur Geschichte der Schallplattenindustrie. Vol. 2. Wien: Gesellschaft für historische Tonträger, 9–20.
login to post comments