DOI: 10.3986/Traditio2011400308        (PDF )

Naslov/Title
Paradox of Writing Folk Music: National Representation and Song Writers in Russian Karelia

Avtorica/Author
Pekka Suutari

Izvleček
Vloga piscev ljudskih pesmi je pogosto dvoumna. V Rusiji so takšni pesniki delovali kot vodje krajevnih zborov. Krajevna izročila so posredovali na sodobno glasbeno prizorišče, pri čemer pa so bili deležni tudi kritike, da kvarijo avtentično izročilo, čeprav je bil njihov vpliv na spodbujanje zanimanja za narodne kulture in ustvarjanje pomembnih del v lokalnih jezikih zelo pomemben. Če na identiteto gledamo kot nenehno ustvarjano v vsakdanjih praksah, vidimo, da so tudi glasbene aktivnosti integralni del v oblikovanju lokalnih družb.

Abstract
The role of folk music song writers is often ambiguous. In Russia, such songwriters have worked as leaders of local choirs. In so doing they have become mediators between local traditions and the present day music scene but they have also been blamed for corrupting authentic traditions. Their role in drawing interest towards national cultures and creating valuable works in local languages has been very important. When identity is considered to be continuously constructed in everyday practices, we can see that musical activities are also an integral part of forming local societies.

Ključne besede
Karelija, reprezentacija narodnega, ljudski zbor, I. I. Levkin, V. Pällinen

Keywords
Karelia, national representation, folk choir, I. I. Levkin, V. Pällinen

Viri/References
Baron, Nick
2008 Soviet Karelia: Politics, Planning and Terror in Stalin’s Russia, 1920-1939. London: Routledge.

Berger, Peter L. and Thomas Luckmann
1994 [1966] Todellisuuden sosiaalinen rakentuminen. Suom. Vesa Raiskila. Helsinki: Gaudeamus.

Baumann, Max Peter
1976 Musikfolklore und Musikfolklorismus. Eine ethnomusikologische Untersuchung zum Funktionswandel des Jodels. Winterthur: Amadeus.

Bodemann, Ulrike
1983 Folklorismus – Ein Modellentwurf. Rheinisch-westfalische Zeitschrift fur Volkskunde 28: 101–110.

Elyna, Emma
2004 Vieljarven mail. Petroskoi: Karjalan Tazavallan kul’tuuruministerstvu.

Frith, Simon
1996 Music and Identity. In: Hall, Stuart and Paul du Gay (eds.), Questions of Cultural Identity. London: Sage, 108–127.

Frolova-Walker, Marina
2004 Stalin and the Art of Boredom. Twentieth-Century Music 1 (1): 101–124. [http://dx.doi.org/10.1017/S1478572204000088].

Gudkov, Viktor and Natalia Levi
1941 Pesni narodov Karelo-Finskoi SSR. Petrozavodsk: Gosizdat Karelo-Finskoi SSR.

Hakamies, Pekka and Olga Fishman
2007 Metshta o novoi Karelii. Sovetskaia Kareliia v fotografiakh 1920–1930-kh godov. Helsinki: Suomalaisen Kirjallisuuden Seura.

Hall, Stuart
1996 Introduction: Who Needs ’Identity’? In: Hall, Stuart and Paul du Gay (eds.), Questions of Cultural Identity. London: Sage, 1–17.
1997 Introduction. In: Hall, Stuart (ed.), Representation: Cultural Representations and Signifying Practices. London: Sage, 1–12.

Hirsch, Francine
1997 The Soviet Union as Work-in-Progress: Ethnographers and the Category Nationality in the 1926, 1937, and 1939 Censuses. Slavic Review 56 (2): 251–278.

Honko, Lauri
1990 Folkloreprosessi. Sananjalka 32: 93–121.

Kangaspuro, Markku
2000 Neuvosto-Karjalan taistelu itsehallinnosta: nationalismi ja suomalaiset punaiset Neuvostoliiton vallankaytossa 1920-1939. Helsinki: SKS.

Kershner, L.
1951 Huomautuksia laulujuhlien johdosta. Totuus [newspaper in Petrozavodsk], the 9th Dec 1951.

Knuuttila, Tarja and Aki Petteri Lehtinen
2010 Johdanto. In: Lehtinen and Knuuttila (eds.), Representaatio – Tiedon kivijalasta tieteiden tyokaluksi. Helsinki: Gaudeamus.

Koposov, A.
1962 O russkikh narodnykh khorakh. Sovetskaia muzyka 4.

Kurkela, Vesa
1989 Musiikkifolklorismi ja jarjestokulttuuri. Helsinki: Suomen Etnomusikologinen Seura.

Lozanova, A. N.
1938 Novyi etap razvitiia narodnogo tvortshestva. In: Kareliia: Folk’lor Karelii 1, 3–22.

Lycan, William
2006 Representational Theories of Consciousness. In: Stanford Encyclopedia of Philosophy (http://plato.stanford.edu/entries/consciousness-representational/).

Nettl, Bruno
1983 Study of Ethnomusicology: Twenty-nine Issues and Concepts. Urbana, Chicago and London: University of Illinois Press.

Nikitina, Liubov
2010 Oma pajo. Sovremennye karel’skie pesni. Petrozavodsk: Republikanskii Tsentr natsional’nyh kul’tur.

Olson, Laura J.
2004 Performing Russia: Folk Revival and Russian Identity. London: RoutledgeCurzon.

Pällinen, Veikko
1996 Kalevan kehto. Laulukokoelma (ed. by G. Demidova, I. Semakova, and P. Zaikov). Petroskoi: Karjalan tasavallan kulttuuriministeriö.

Said, Edward
2001 Esipuhe. In: Ajattelevan ihmisen vastuu. Helsinki: Loki-kirjat.

Shank, Barry
1994 Dissonant Identities: The Rock’n’roll Scene in Austin, Texas. London: Wesleyan University Press.

Simpson, John and Edmund Weiner (eds.)
1989 The Oxford English Dictionary. 2nd ed. Vol XIII. Oxford: Claredon Press.

Slobin, Mark
1996 Introduction. In: Slobin, Mark (ed.), Retuning Culture: Musical Changes in Central and Eastern Europe. Durham and London: Duke University Press, 1–13.

Smith, Susannah Lockwood
2002 From Peasants to Professionals: The Socialist-Realist Transformation of a Russian Folk Choir. Kritika: Explorations in Russian and Eurasian History 3 (3): 393–425. [http://dx.doi.org/10.1353/kri.2002.0046].

Suutari, Pekka
2004 Going Beyond the Border: National Cultural Policy and the Development of Musical Life in Soviet Karelia, 1920-1940. In: Edmunds, Neil (ed.), Soviet Music and Society Under Lenin and Stalin: The Baton and Sickle. London: RoutledgeCurzon.

Ylikangas, Mikko
2004 Rivit suoriksi. Kaunokirjallisuuden poliittinen valvonta Neuvosto-Karjalassa 1917–1940. Helsinki: Kikimora Publications.

Zhulanova, N. I.
2000 Molodezhnoe fol’klornoe dvizhenie. In: Giliarova, N. N. (ed.), Fol’klor i molodezh’. Ot istokov k sovremennosti. Moskva: Rossiskii fol’klornii soiuz.