DOI: 10.3986/Traditio2005340112        (PDF )
 
Naslov/Title
The folkdances of the Western Polissia region of Ukraine: traditions and innovations
 
Avtorica/Author
Iryna Fedun
 
Izvleček
Etnografsko območje Zahodnega Polesja v severozahodni Ukrajini ima zaradi slabe dostopnosti (gozdovi in močvirja) zelo dobro ohranjeno tradicionalno kulturo. Poleg tega je po mnenju številnih znanstvenikov Zahodno Polesje posebno območje, ker predstavlja prvotno domovino Slovanov. V prispevku obravnava avtorica spremembe v repertoarju plesov, ki niso povezani z obredi, tega območja. Vplivi narodnih manjšin in sosednjih narodov, pa tudi razširitev mestne kulture in množičnih medijev so pripomogli k temu, da so se tradicionalnim lokalnim oblikam, kot so krutak, hrechka ipd., pridružili novi plesi, npr. polka, krakovjak, oberek, valček idr..

Abstract
The Western Polissia ethnographic region of northwest Ukraine has a comparatively well-preserved traditional culture due to its naturally inaccessible woods and swamps. The territory is also unique because many scholars believe that it represents the original Slavic homeland. This article analyzes changes in the non-ritual dance repertoire of musicians of the Western Polissia region. New dances (e.g., the pol′ka, krakoviak, oberek, val′s, podispan, barynia, iablochko, na riechien′ku, karapiet, etc.) were incorporated due to the influence of national minorities and other people living in the area, as well as the diffusion of urban culture and the impact of mass-media on more traditional local forms such as the krutak, hrechka, etc.
 
Ključne besede
inovacija, ples, Zahodno Polesje, tradicionalna inštrumentalna glasba

Keywords
innovation, dance, Western Polissia, traditional instrumental music
 
Viri/References
Archive... The Archive of the Scientific-Research Laboratory of Musical Ethnology at the Mykola Lysenko State Academy of Music in L′viv, Ukraine.
Bondarchik, V. K. and R. F. Kyrchiv
1988 (eds.) Poles′e. Material′naia kul′tura (Polissia: Material Culture). Kyiv: Naukova dumka.
Dadak-Kozicka, J. Katarzyna
1996 Folklor sztuką życia: U źródel antropologii muzyki (Folklore as Art of Life: At the Sources of the Anthropology of Music). Warsaw: Instytut Sztuki PAN.
Dahlig, Piotr
1998 Tradycje muzyczne a ich przemiany: Między kulturą ludową, popularną i elitarną Polski międzywojennej (Music Tradition and Its Transformations: Between the Folk, Popular, and Popular and Elitarian Culture of Poland in 1918-1939). Warsaw: Instytut Sztuki PAN.
Dúžek, Stanislav and Bernard Garaj
2001 Slovenské ľudové tance a hudba na sklonku 20. storočia (Slovak Folk Dances and Music Towards the End of the 20th Century). Bratislava: Ústav hudobnej vedy Slovenskej Akadémie Vied.
Fedun, Iryna
2001 Some parallels in traditional instrumental music of Western Polissia (Ukraine) and Lithuania. In: Tiltai: Humanitariniai ir socialiniai mokslai. Klaipėda, 8: 85–95.
2003 Tradytsiina instrumentsl′na kapela K.Vorobtsia na Boikivshchyni (The K. Vorobets’ Traditional Instrumental Ensemble in the Bojko Region). In: Tradytsiina narodna muzychna kul′tura Boikivshchyny. L′viv: TzOV “Kamula”: 74–86.
2004 Verbal′na povedinka muzykantiv tradytsiinykh instrumental′nykh ansambliv Zakhidnoho Polissia (Verbal Behavior of Tradition Instrumental Ensembles’ Musicians from Western Polissia). In: Etnokul′turna spadshchyna Polissia: Vyp. V. Rivne: Perspektyva: 109–124.
Giurchesku, Anca and Lisbet Torp
1991 Theory and Methods in Dance Research: A European Approach to the Holistic Study of Dance. Yearbook for Traditional Music 23: 1–10. doi:10.2307/768392
Harasymczuk, Roman Włodzimierz
1939 Tańce huculskie (Hutsul Dances). L′viv, Wyd. z zasiłku głównego zarządu towarzystwa przyjaciół Huculszczyzny.
Hofman, Jirzhi
1998 Chekhy na Volyni: osnovni vidomosti (The Czechs of Volyn’: Basic Information). Prague: Ukraiins′ka initsiatyva v Ches′kii respublitsi.
Hoshowsky, Vladimir
1971 Assimiliatsiia v muzykal′nom fol′klore (Assimilation in Musical Folklore). In: V. Hoshowsky, U istokov narodnoi muzyki slavian: Ocherki po muzykal′nomu slavianovedeniiu. Moscow: Sovetskii kompozitor: 210–262.
Humeniuk, Andrii
1962 (ed.) Ukraiins′ki narodni tantsi (Ukrainian Folk Dances). Kyiv: Vydavnytstvo AN URSR.
Ivleva, L. M. and A. A. Sokolov-Kaminsky
1991 (eds.) Narodnyi tanets: problemy izucheniia (Folk Dance: Issues for Study). Saint Petersburg, VNIII.
Keldysh, H. V.
1991 (ed.) Muzykal′nyi enciklopedicheskii slovar′ (Encyclopedic Dictionary of Music). Moscow: Sovetskaia enciklopediia.
Kvitka, Klyment
1925 Vstupni uvahy do muzychno-etnohrafichnykh studii (Introduction to Musical Ethnographic Studies). Zapysky etnohrafichnoho tovarystva 1: 8–27.
Maciewsky, Igor
2000 Zhyzn′ vsled za smert′iu: muzykal′naia traditsiia posle sloma (Life after Death: Musical Tradition after Collapse). In: Voprosy instrumentovedeniia: Vyp. 4. Saint Petersburg, RIII: 132–134.
Magosci, Paul Robert
2002 Historical Atlas of Central Europe: Revised and Expanded Edition. Seattle: University of Washington Press.
Merriam, Alan P.
1964 The Anthropology of Music. Evanston, IL: Northwestern University Press.
Nahachewsky, Andrii
2001 Pobutovi tantsi kanads′kykh ukraiintsiv (Social Dances of Canadian Ukrainians). Kyiv: Rodovid.
Nettl, Bruno
1964 Theory and Method in Ethnomusicology. New York: The Free Press of Glencoe.
Oshurkevych, Oleksa and Iurii Rybak
2002 Lirnyts′ki pisni z Polissia (Hurdy-Gurdy Players’ Songs from Polissia). Rivne: PNDLME pry LDMA im. M. Lysenka.
Rybak, Iurii
2004 Sezonno-trudovyi tsykl u pisennii tradytsii Verkhnioprypiats′koï nyzovyny: zhnyva, “lito” (The Seasonal Work Cycle in the Song Tradition of the Upper Pryp’yat′ Basin: Harvest, “Summer”). In: Etnokul′turna spadshchyna Polissia: Vyp. V. Rivne: Perspektyva: 153–175.
Saban, Larysa
1987 Narodni tantsi (Folk Dances). In: Hutsul′shchyna: Istoryko-etnohrafichne doslidzhennia. Kyiv: Naukova dumka: 353–362.
Trynchuk, Viktoriia
2004 Skrypkova narodna muzyka zakhidnopolis′koï tradytsii (Violin Folk Music of the Western Polissian Tradition). Master’s thesis under Prof. B. Lukaniuk. L′viv: LDMA im. M. Lysenka.
Vaculík, Jaroslav
1997 Dějiny volyňských Čechů I. Léta 1868–1914 (History of the Czechs of Volyn’ 1. 1868– 1914). Prague: SČVP.
Żerańska-Kominek, Sławomira
1995 Muzyka w kulturze: Wprowadzenie do etnomuzykologii (Music in Culture: Introduction to Ethnomusicology). Warsaw: Wydawnictwo Uniwersytetu Warszawskiego.